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Pretty Songs To Smother Your Ugly Babies To

by The Marauding Band of Cut-Throats

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1.
INSTRUMENTAL MONUMENTAL I got a balloon in my eye, And I’m sticking to it
2.
UNDERGROUND LULLABY The possessors of gold The extractors of souls A nine to five cancer It’s the right to be secure The right to a routine The grind of a routine This is how we die… Love is for the weak Love’s for everybody A wedding in a chapel A marriage in a gas chamber Load the canon with the baby Life as function over form This is how we die… Father Jesus in my pocket The winter light will fall from Heaven Hallelujah! Hallelujah! Here’s someone else to make decisions Death with doubt, it’s His ultimate suffering But, we still bother all the same This is how we die… Learning to read in a bunker with no light Learning to speak, but never to weed The sheep-skinned prisoners are marching in line To pledges and to haunting school bell anthems And the intellectuals Oh, how much more they are fooled This is how we die… You never talk, you never think You never mention the social system The troll under the bridge that will never die The sin machine – if you’re into that Autonomy failed And onwards towards Britvaica! This is how we die This is how we die This is how you die… This is how you’ll die
3.
THE UNDISTURBED NOTES OF A SPACE CADET, OR 4 HOURS Your arms stretched out In the middle of the air What if the sky Would fall and crush your limbs? The television Injects your mind with troubled dreams Now you’ll know You’ll never sleep out here again On the bridge You’re strolling towards another place Sleepless, on your back Millions leap over your body Next to you A stranger talks of circumcision Lobotomy You want to pinch your eyes and wake Oh, what now? It’s time for a break When was the body Supposed to be a grave? You’re looking down What’s left of your fingers is skin You shouldn’t have Pushed the nails into your skin CHORUS: There is no rest for the running man Then you wake up At least you think that you did You wander ‘round the house But something is not right You look around Nothing, it’s all right Then you go back to bed At least you think that you did CHORUS
4.
PALE AND THE LOLLIPOP BOMB The handbag on the street Contains the misplaced caution Of everybody in town They left their baggage here And turned around and ran So what is the beginning Of what happened? A tree now stands by itself Next to one’s forlorn shadow The sun is blowing bubbles While the moon smokes a cigar The grasshopper writes a song While someone leaves their body He turned around and ran Uncertain situations The hand that strokes fear’s thigh The fuel of true perception A friend, but not to many The central nervous system The dance of dissolution A box of saved nail clippings A diary of self-distrust Of those who’ve turned and ran And while the streets are empty Existence shedding its skin For temporary comfort A man who woke from slumber He turned around and ran… He turned around and ran Turned around and ran He turned around and ran Turned around and ran
5.
Safe Ways 03:46
SAFE WAYS The belt’s tied around your mouth All the curtains have been drawn All those thoughts you had of leaving Left you behind on the train And the note upon the table Nothing’s written, but it’s signed: “From the Warden of Society: Welcome back, let’s join the feast!” There’s a book upon the table And it’s wrapped inside a flag Gagged with wrapping tape Like the hands around your neck All the flowers in the garden And the face upon the moon They don’t mean a single thing When we come to join the feast There’s marriage and there’s love And a soldier earns his medals And the only way out that he thought Was through education There’s a church full of castrati Aristotle sits in prison Everyone will hold hands and start singing When we hold the feast The belt’s tied around your mouth All the curtains have been drawn All those thoughts you had of leaving Left you behind on the train And the note upon the table Nothing’s written, but it’s signed There’s always room for one more body When you join the feast
6.
STRAWBERRY RIFLE (REFLEX) Tonight the stars will fall onto the backyard of our mind. The bells will chime, and all the people’s prayers will turn to dust. There’s only compromise, where once there was hope. And all the cripples will fall. The scarecrows jump out from the bushes like a pop-up book and put the rope to your head. And all those idiots with flasks and flowers in their hair… The drunken bastards drink the wine and all the smiles come out. There’s only happiness. The ashtray cradles truth. And only ashes remain. The angels in the trashcan, recycled for hand-me-downs. And all the haloes are mine.
7.
SPOILER U.S.M. I had an idea I swear I did I had it a second ago But, I don’t know where it went I know I had one I made it up myself It’s a good one It’s on the tip of my tongue That’s where I left it last Oh, wait… I didn’t make it up But, I still don’t remember what it was But, whatever it was It was dumb ‘Cause I didn’t make it up
8.
Blowgun 04:00
BLOWGUN You flash me with your gaping hole The legs of your mouth open wide The words dart out like bats from caves We’re drowning in your sea of bubbles Too many sugar coated words Too many useless bits of speech Too many… And the best thing from your mouth is nothing You cartwheel over coffee tables The wind is blown into our face A lack of discipline It doesn’t matter what you’re saying Silence is a fragile fetus And it seems that it’s a weapon Now the airscape’s interrupted A corpse buried deep in the dirt The bullet’s loaded in the gun The fertilizer has been poisoned The monastery nun’s been touched by God The skeleton is in your bed Yes, your bed With a pillow over your head Duct tape around and around Around your mouth
9.
I PREFER SODOMY OVER MATH The mouse lays on the trap Not with a sore neck But, with a broken neck Blood on the inside Now on the outside Through his nose, his mouth, his ears, and eyes – his dead eyes His lifeless body trapped Under his metal god All he wanted was Some tasty peanut butter But, by surprise <SNAP!> Not quick enough to get ah-oooh-owt! His face smashed in his last meal That poor mouse, dead In a stranger’s house What would his friends say? Was he just really hungry? Or was it a suicide? What what what?
10.
PROGRESS ON A BLIP SCREEN Today I chipped my tooth The calcium never pays The fields of milk they lie They lie and stroke like silk I’m writing a letter To an answering machine that just hoards voices Each letter is a postcard A collage A documentation A scrapyard full of bones Full of chips and lips and hits Each addressed to no one (Apparently) Please return to sender There was another girl with a broken tooth I could’ve sworn her name was Nikki But, we both knew it wasn’t There were many of them with the same name The red and black hair Both alike, yet not A series of fits Of epileptic seizures from one’s imagination Or just a broken melody on a banjo And there was a structure But, their names were never Nikki Besides, those destined for Italy Have merely five seconds to live A long time, no? Tonight, the arms fell off my clock But, that’s all right Now we can no longer be crucified We have better things to do, anyway Than to go around trying to be martyrs A crutch and a medal Those things are for those with swimming pools And for those who hold their heads up high With cosmetic surgery and helium balloons I prefer the liquid crutch If I want hallucinations I want to enjoy them
11.
Sanitarium 09:46
SANITARIUM The fruit falls from the tree onto the ground These notes we found were buried in the mud The fossils hold the secret of perception And the only limitation is the one of our existence Three physicists and the corpses of three nurses In the room Newton and Einstein wield revolvers Rationalism hanging by a string Like the sinking of a dead weight Like the noose around a neck The eyes of the magician fall onto the desk A sacred language spoken And the man is turned to dust Sweet Analysis you are my only one Dig a hole into my body Plant your eyes into my skull Pinwheels spinning deep inside a darkened cave And a little girl is lost because she uttered her first word Pull the rug out from beneath her Semaphores are planted Now there’s a twinkle in her eye The pen is out of ink, but keeps on scribbling In the closet hang the limbs we didn’t need Staring into eyepieces with butcher knives The suicide of mystery Of spontaneity The sacrificial lambs are on the table And you give a toast right before the cops barge in They’re going to put you in a cell by morning But anxiety became the law Because the morning never came

about

Recorded by The Marauding Band of Cut-Throats between 2002 and 2003.
Mixed and produced by Adolf NS in 2003.

credits

released November 11, 2013

All music by Adolf NS, Brian Long, and Carrie Gillespie, except for track 2 (Brian Long/Adolf NS).
Lyrics to tracks 3, 4, and 8 by Adolf NS and Brian Long. Lyrics to 2, 5, 6, 10, and 11 by Adolf NS. Lyrics to 1, 7, and 9 by Brian Long.
Layout, design, text, cover photo, etc. by Adolf NS.

Adolf NS - vocals, acoustic and electric guitar, banjo, mandolin, accordion, bass guitar, keyboards, percussion, whistle, bell, rubber duckie, bottles, tape recorder, washboard, and foot stomps.
Brian Long - vocals, acoustic guitar, banjo, toy piano, percussion, cymbals, nose whistle, epileptic bingo, keyboard noises, metal, and claps.
Carrie Gillespie - vocals, bass guitar, banjo, bowed banjo, keyboard, accordion, percussion, whistle, fish, drum stick, chimes, claps, washboard, broken fan played with screwdriver, and foot stomps.

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tags

about

The Marauding Band of Cut-Throats San Diego, California

Side project formed in San Diego, California, consisting of Adolf NS (Raygun Circus, Tactical Fever, Street of Little Girls, Cori Celesti), Brian Long, and Carrie Gillespie (Hexa, Høurs, Tactical Fever, Street of Little Girls).

For more information, visit:

rayguncircus.com/mboc.html
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